after 1819
\nResidenzgalerie Salzburg, 610<\/p>\n
During his stay in Vienna, Lawrence painted a full-length portrait of Archduke Charles of Austria (1771\u20131847). The result impressed the subject so greatly that he commissioned the artist to paint portraits of his wife, Henriette von Nassau-Weilburg (1797\u20131829), and their daughter Maria Theresia (1816\u20131867).<\/em> Daffinger\u2019s copy of the full-length portrait of the three-year-old is almost the same size as the subject herself. In the landscape, the little girl is sitting on the ground, tying the laces of her red shoes. Lawrence liked to encourage the children he portrayed to do this, since it gave him the opportunity to study their comportment and to present it as naturally as possible. The child\u2019s white dress contrasts with the prestigious symbol of the red draperies. The painting\u2019s prominent previous owner was Archduke Ludwig Viktor of Austria (1842\u20131919). An indication of the subject\u2019s popularity is the number of miniature copies made. Daffinger, who produced many of these, executed Archduchess Maria Theresia Isabella<\/em> on ivory.<\/p>\n","protected":false},"excerpt":{"rendered":" Moritz Michael Daffinger Maria Theresia Isabella, Archduchess of Austria (1816\u20131867), Queen of the Two Sicilies (1837\u20131859), married to Ferdinand II. (1810\u20131859), copy after Thomas Lawrence (1769\u20131830) after 1819 Residenzgalerie Salzburg, 610 During his stay in Vienna, Lawrence painted a full-length portrait of Archduke Charles of Austria (1771\u20131847). The result impressed the subject so greatly that […]<\/p>\n