{"id":55435,"date":"2025-05-27T10:39:48","date_gmt":"2025-05-27T08:39:48","guid":{"rendered":"https:\/\/www.domquartier.at\/?page_id=55435"},"modified":"2025-05-27T10:39:48","modified_gmt":"2025-05-27T08:39:48","slug":"friedrich-amerling-self-portrait","status":"publish","type":"page","link":"https:\/\/www.domquartier.at\/en\/residenzgalerie\/friedrich-amerling-self-portrait\/","title":{"rendered":"Friedrich Amerling Self Portrait"},"content":{"rendered":"

Friedrich von Amerling
\nSelf-portrait<\/h1>\n

1834
\nResidenzgalerie Salzburg, 276<\/p>\n

Over his lifetime, Amerling produced a comparatively large number of self-portraits, which document not only his stylistic development but also his physical ageing process. He varied the detail, angle and perspective, so that, when viewed together, they give an all-round picture of the artist\u2019s head. Some of the 27 portraits can be seen as studies, which the artist used, in the manner of Rembrandt, to try out solutions to problems of composition and technique. For the profile view of Amerling in his Self-portrait,<\/em> a second mirror was needed to correct the reversal of the mirror image.<\/p>\n","protected":false},"excerpt":{"rendered":"

Friedrich von Amerling Self-portrait 1834 Residenzgalerie Salzburg, 276 Over his lifetime, Amerling produced a comparatively large number of self-portraits, which document not only his stylistic development but also his physical ageing process. He varied the detail, angle and perspective, so that, when viewed together, they give an all-round picture of the artist\u2019s head. Some of […]<\/p>\n

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