Skip to main content

The Wise and the Foolish Virgins

Hieronymus II. Francken, Kopie/copy (1578 - 1623)

The Wise and the Foolish Virgins
Paintings
Oil/oak
Picture size 66.00 x 103.00 cm
Framesize 67.00 x 105.00 x 3.00 cm
210
Currently not in the exhibition
Flemish Baroque
© Residenzgalerie Salzburg, Illustration Fotostudio Ulrich Ghezzi, Oberalm

Marumo, Paris; 19.2.1941, Welz; 8.12.1942, Landesgalerie, LG 140; at the restorer Alberto Susat, placed back on 12.7.1944; 12.7.1944 (?), Bergung St. Peter Depot; 11.10.1949, SMCA? (in our days: Salzburg Museum); after 1952 Residenzgalerie Salzburg

JUFFINGER, PLASSER 2007, p. 190

JUFFINGER 2010, vol. 1, p. 73

The biblical parable of the five wise and five foolish virgins (Matthew 25: 1–13) is one of the classic motifs on mediæval portal jambs, as an admonishment to the faithful not to stray from the strait and narrow. A copy after Hieronymus Francken II (1578–1623) presents this parable – rarely painted in oils – in a prosperous, "haut bourgeois" setting. The five foolish virgins indulge in sensual pleasures – music, feasting, slumber. Clad in costly garments, they seek to beguile the viewer. A brothel scene painted on the back wall above their heads makes the reference clear. To their right, taking up only a third of the picture, the five wise virgins busy themselves with spinning, sewing and praying, in contemplation and preparation for Judgement Day. Above their heads, Christ leads the five wise virgins along a band of cloud into the radiant round temple of the sun god Helios, while on the other side, the five foolish virgins hurry away.
In the biblical narrative, the virgins take their lamps and go out to meet the bridegroom, who has delayed. While the wise ones have made provision, taking oil in their vessels with their lamps, the foolish, having no oil left, must go to buy more. When the bridegroom arrives, finding only the wise ones awaiting him, he leads them into the wedding room and closes the door. The foolish virgins are no longer admitted.

Translated catalogue text from:
Habersatter Thomas: Die sieben Todsünden. In: Oehring Erika, Ducke Astrid, Habersatter Thomas (Hrsg.): Allegorie. Die Sprache der Bilder. Residenzgalerie Salzburg, Salzburg 2017, S. 219-243, Hieronymus II. Francken, Kopie, Die fünf klugen und die fünf törichten Jungfrauen, S. 240, Abb. 23, S. 241
Translation: Gail Schamberger MA, Salzburg

Download of this artwork is permitted for private use only.
Here you will find our license for non-commercial use.

Commercial use requestDownload now

Request for commercial use

captcha

If you contact us, the data you provide will be stored for the purpose of processing your enquiry and in case of follow-up questions and in case of follow-up questions. For more information on how we process your data can be found in our data protection declaration.