Christian Leopold Bode, W.A. Mozart, 1859 (detail/edited)
Closer to Mozart than anywhere else in Salzburg
Listen to Mozart’s works where he himself performed them! The Salzburg Residenz is the very place for which the young Mozart composed his music, and where he performed regularly. Our concert series “Date with Mozart” is performed by members of our Residenz-Ensemble in a chamber music setting. Depending on the programme, which changes regularly, two to four musicians will perform. The exact programme will be published in advance. >> TO THE PROGRAMME
Music in the heart of the UNESCO World Heritage Site
What Mozart’s music is to the ears, the state rooms are to the eyes – and both together represent a unique space-sound experience that is unrivalled. For all those who want to be close to the spirit of the master in the heart of the UNESCO World Heritage Site.
Residenz-Ensemble Salzburg
Every Saturday and Sunday
- 4 pm – 4:45 pm
- 45 minutes without a break
- In the state rooms of the residence
- Changing programme
>>TO THE PROGRAMME
Entrance:
Adults: € 28,–
Seniors: € 25,– (from 60 years / with DQS annual pass)
Under 26 years: € 14,– (0-6 years free of charge)
10% discount with the Salzburg Card (discount code: SBGC10) on the regular concert ticket. Does not apply to already discounted tickets.
TIP: Enjoy Mozart’s favorite dish at Herzl
Restaurant Herzl © Hotel Goldener Hirsch
Let Mozart’s music enchant you – and his culinary favorites tempt you.
You can experience something truly special that combines the magic of Mozart’s music with delightful cuisine. Our concert series “Date with Mozart” at the DomQuartier Salzburg invites you to immerse yourself in the world of the musical genius – and afterward, savor his favorite dish at Restaurant Herzl (Hotel Goldener Hirsch)!
After a chamber music performance during “Date with Mozart” at the Residenz in the DomQuartier, you can enjoy Mozart’s favorite dish at Restaurant Herzl – lovingly prepared according to historical recipes.
Price: €24,– (only in combination with a same-day concert ticket)
Mozart’s favourite dish: liver dumplings on sauerkraut (alternative dishes available).
During the festival season, we kindly ask you to make a reservation at Restaurant Herzl by calling +43 662 8084 889.
Programme
Wolfgang Amadé Mozart (1756-1791)
Violin Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro
Piano Sonata No. 11 A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
Members of the Residenz-Ensemble Salzburg
Emese Wilhelmy, Piano-forte
Emeline Pierre Larsen, Violin (21 and 22 February)
Anna Biggin, Violin (28 February)
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Violin Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro
Piano Sonata No. 11 A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
Members of the Residenz-Ensemble Salzburg
Emese Wilhelmy, Piano-forte
Anna Biggin, Violin (1 March)
Emeline Pierre Larsen, Violin (7 March)
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
To mark International Women’s Day, musicians from our Residenz-Ensemble will perform Wolfgang Amadé Mozart’s Violin Sonata No. 17 in C major, K. 296, followed by an allegro from the ‘Notenbuch für Nannerl’ (Music Book for Nannerl), the piano method Leopold Mozart compiled for teaching his daughter Maria Anna. In 1764, the proud father reported: ‘My girl is one of the most skilled players in Europe, even though she is only 12 years old.’
We remember a talented pianist who performed with her brother and is considered one of the world’s first piano teachers.
Wolfgang Amadé Mozart (1756-1791)
Violin Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro
Leopold Mozart (1719 – 1787)
Allegro in C major from the ‘Notenbuch für Nannerl’
Members of the Residenz-Ensemble Salzburg
Emese Wilhelmy, Piano-forte
Emeline Pierre Larsen, Violin
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble Salzburg
Emeline Pierre Larsen, Violin 1
Balazs Moldiz, Violin 2
Romana Rauscher, Viola
Matthias Beckmann, Cello
Wolfgang Amadé Mozart (1756-1791)
Der Zauberer K. 472
Als Luise die Briefe ihres untreuen Liebhabers verbrannte K. 520
Abendempfindung an Laura K. 523
An Chloë K. 524
Piano Sonata No. 11 in A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Idomeneo“ K. 366
Ilia’s aria „Padre, germani, addio!“ from „The Magic Flute“ K. 620
Pamina’s aria „Ach ich fühl’s“ from „Exsultate, jubilate“ K. 165
Alleluja
Members of the Residenz-Ensemble Salzburg
Emese Wilhelmy, Piano-forte
Ekaterina Krasko, Soprano
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
On these special dates, our “Date with Mozart” lasts 15 minutes longer. In keeping with the religious occasion, the concert concludes with an excerpt from Joseph Haydn’s “The Seven Last Words of Christ on the Cross” as an encore.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble Salzburg
Emeline Pierre Larsen, Violin 1
Tatjana Isaenkowa, Violin 2
Romana Rauscher, Viola (28 March)
Hana Hobiger (29 March)
Matthias Beckmann, Cello
Wolfgang Amadé Mozart (1756-1791)
An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523
Piano Sonata No. 11 in A major, K 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“
Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble Salzburg
String Quartet
Wolfgang Amadé Mozart (1756-1791)
An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523
Piano Sonata No. 11 in A major, K 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“
Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble Salzburg
String Quartet
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Violin Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro
Piano Sonata No. 11 A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
Members of the Residenz-Ensemble Salzburg
Violin and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523
Piano Sonata No. 11 in A major, K 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“
Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble Salzburg
String Quartet
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble Salzburg
String Quartet
Wolfgang Amadé Mozart (1756-1791)
An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523
Piano Sonata No. 11 in A major, K 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“
Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Violin Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro
Piano Sonata No. 11 A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
Members of the Residenz-Ensemble Salzburg
Violin and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523
Piano Sonata No. 11 in A major, K 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“
Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble Salzburg
String Quartet
Wolfgang Amadé Mozart (1756-1791)
An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523
Piano Sonata No. 11 in A major, K 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“
Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Violin Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro
Piano Sonata No. 11 A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
Members of the Residenz-Ensemble Salzburg
Violin and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523
Piano Sonata No. 11 in A major, K 331
Andante grazioso
Menuetto
Alla Turca. Allegretto
from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“
Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte
Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.
Wolfgang Amadé Mozart (1756-1791)
Divertimento in F major, K. 138
Allegro
Andante
Presto
String Quartet in C major, K. 157
without tempo indication
Andante
Presto
String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto
Members of the Residenz-Ensemble-Salzburg
String Quartet
Subject to change without notice.
