Christian Leopold Bode, W.A. Mozart, 1859 (detail/edited)

Closer to Mozart than anywhere else in Salzburg

Listen to Mozart’s works where he himself performed them! The Salzburg Residenz is the very place for which the young Mozart composed his music, and where he performed regularly. Our concert series “Date with Mozart” is performed by members of our Residenz-Ensemble in a chamber music setting. Depending on the programme, which changes regularly, two to four musicians will perform. The exact programme will be published in advance. >> TO THE PROGRAMME

Music in the heart of the UNESCO World Heritage Site

What Mozart’s music is to the ears, the state rooms are to the eyes – and both together represent a unique space-sound experience that is unrivalled. For all those who want to be close to the spirit of the master in the heart of the UNESCO World Heritage Site.

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Residenz-Ensemble Salzburg

Every Saturday and Sunday

  • 4 pm – 4:45 pm
  • 45 minutes without a break
  • In the state rooms of the residence
  • Changing programme
    >>TO THE PROGRAMME

Entrance:
Adults: € 28.–
Seniors: € 25.– (from 65 years / with DQS annual pass)
Under 26 years: € 14.– (0-6 years free of charge)

10% discount with the Salzburg Card (discount code: SBGC10) on the regular concert ticket. Does not apply to already discounted tickets.

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Date with Mozart Konzert im DomQuartier Salzburg

Date with Mozart & Schubert

Our Summer Chamber Music Series

On five Sundays in July and August. Always at 11 am in the state-rooms of the Salzburg Residenz.

Wolfgang Amadé Mozart and Franz Schubert speak the same musical language – the language of humanity. Both geniuses died far too young – Mozart at the age of 35, Schubert at just 31 – at the height of their creative powers. Both left behind monumental unfinished masterpieces: Mozart’s Requiem and Schubert’s Unfinished Symphony, two of the most enigmatic and deeply moving works in the history of classical music.
One could say that Schubert carries forward Mozart’s luminous Classical spirit, while infusing it with the emotional depth, longing and inner tension of the Romantic era.

>> More information and tickets



 

TIP: Enjoy Mozart’s favorite dish at Herzl

Restaurant Herzl © Hotel Goldener Hirsch

Let Mozart’s music enchant you – and his culinary favorites tempt you.

You can experience something truly special that combines the magic of Mozart’s music with delightful cuisine. Our concert series “Date with Mozart” at the DomQuartier Salzburg invites you to immerse yourself in the world of the musical genius – and afterward, savor his favorite dish at Restaurant Herzl (Hotel Goldener Hirsch)!

After a chamber music performance during “Date with Mozart” at the Residenz in the DomQuartier, you can enjoy Mozart’s favorite dish at Restaurant Herzl – lovingly prepared according to historical recipes.

Price: €24.– (only in combination with a same-day concert ticket)

Mozart’s favourite dish: liver dumplings on sauerkraut (alternative dishes available).

During the festival season, we kindly ask you to make a reservation at Restaurant Herzl by calling +43 662 8084 889.


 


Programme

Wolfgang Amadé Mozart (1756-1791)

An die Freude, K. 53
Das Lied der Trennung, K. 519
Abendempfindung, K. 523

Piano Sonata No. 11 in A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto

from „Die Zauberflöte,“ K. 620
Aria of Tamino „Dies Bildnis ist bezaubernd schön“

 

Members of the Residenz-Ensemble Salzburg
Tenor and piano-forte

Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.

Date with Mozart & Schubert
Wolfgang Amadé Mozart and Franz Schubert speak the same musical language – the language of humanity. Both geniuses died far too young – Mozart at the age of 35, Schubert at just 31 – at the height of their creative powers. Both left behind monumental unfinished masterpieces: Mozart’s Requiem and Schubert’s Unfinished Symphony, two of the most enigmatic and deeply moving works in the history of classical music.
One could say that Schubert carries forward Mozart’s luminous Classical spirit, while infusing it with the emotional depth, longing and inner tension of the Romantic era.

Franz Schubert (1797-1828)

Sonata in G minor for Violin and Piano, D 408

Wolfgang Amadé Mozart (1756-1791)

Sonata in A major, K. 331

 

Members of the Residenz-Ensemble Salzburg
Emeline Pierre Larsen, Violin
Emese Wilhelmy, Piano-forte

Date with Mozart & Schubert
Wolfgang Amadé Mozart and Franz Schubert speak the same musical language – the language of humanity. Both geniuses died far too young – Mozart at the age of 35, Schubert at just 31 – at the height of their creative powers. Both left behind monumental unfinished masterpieces: Mozart’s Requiem and Schubert’s Unfinished Symphony, two of the most enigmatic and deeply moving works in the history of classical music.
One could say that Schubert carries forward Mozart’s luminous Classical spirit, while infusing it with the emotional depth, longing and inner tension of the Romantic era.

Wolfgang Amadé Mozart (1756–1791)

An Chloë, K. 524
Evening Thoughts Addressed to Laura, K. 523

Ah, ich fühl’s, Arie der Pamina
from The Magic Flute, K. 620

Franz Schubert (1797–1828)

Erlafsee, Op. 8
Ständchen aus Schwanengesang, D 957

Wolfgang Amadé Mozart

Alleluia (from Exsultate, jubilate), K. 165

 

Members of the Residenz-Ensemble Salzburg
Ekaterina Krasko, Soprano
Ji-Hye Jung, Piano-forte

Wolfgang Amadé Mozart (1756-1791)

Divertimento in F major, K. 138
Allegro
Andante
Presto

String Quartet in C major, K. 157
without tempo indication
Andante
Presto

String Quartet in E-flat, K. 160
Allegro
Un poco adagio
Presto

 

Members of the Residenz-Ensemble-Salzburg
String Quartet

Wolfgang Amadé Mozart (1756-1791)

Andante in C major for flute and string trio, K. 315

Divertimento for string trio, K. 439b
Allegro
Larghetto
Menuetto
Adagio
Rondo: Allegretto

Flute quartet in D major, K. 285
Allegro
Adagio
Rondo: Allegretto

 

Members of the Residenz-Ensemble Salzburg
Flute and string trio

Date with Mozart & Schubert
Wolfgang Amadé Mozart and Franz Schubert speak the same musical language – the language of humanity. Both geniuses died far too young – Mozart at the age of 35, Schubert at just 31 – at the height of their creative powers. Both left behind monumental unfinished masterpieces: Mozart’s Requiem and Schubert’s Unfinished Symphony, two of the most enigmatic and deeply moving works in the history of classical music.
One could say that Schubert carries forward Mozart’s luminous Classical spirit, while infusing it with the emotional depth, longing and inner tension of the Romantic era.

Franz Schubert (1797-1828)

Sonata in G minor for Violin and Piano, D 408

Wolfgang Amadé Mozart (1756-1791)

Sonata in A major, K. 331

 

Members of the Residenz-Ensemble Salzburg
Chanelle Bednarczyk, Violin
Ji-Hye Jung, Piano-forte

Wolfgang Amadé Mozart (1756-1791)

Piano Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro

Piano Sonata No. 11 in A major, K. 331
Andante grazioso
Minuet
Alla Turca. Allegretto

 

Members of the Residenz-Ensemble Salzburg
Violin and forte-piano

Loud and gentle – the Fortepiano
At the end of the 17th century, a new keyboard instrument established itself: the fortepiano, which could be played loudly (forte) and softly (piano) – ideal for the princely chamber with its special soundscapes. In contrast to the harpsichord, whose strings were plucked with quills, the strings of the fortepiano are struck by small hammers covered with felt or leather. Our instrument is a replica of Michael Haydn’s fortepiano from 1803.

Wolfgang Amadé Mozart (1756-1791)

Andante in C major for flute and string trio, K. 315

Divertimento for string trio, K. 439b
Allegro
Larghetto
Menuetto
Adagio
Rondo: Allegretto

Flute quartet in D major, K. 285
Allegro
Adagio
Rondo: Allegretto

 

Members of the Residenz-Ensemble Salzburg
Flute and string trio

Date with Mozart & Schubert
Wolfgang Amadé Mozart and Franz Schubert speak the same musical language – the language of humanity. Both geniuses died far too young – Mozart at the age of 35, Schubert at just 31 – at the height of their creative powers. Both left behind monumental unfinished masterpieces: Mozart’s Requiem and Schubert’s Unfinished Symphony, two of the most enigmatic and deeply moving works in the history of classical music.
One could say that Schubert carries forward Mozart’s luminous Classical spirit, while infusing it with the emotional depth, longing and inner tension of the Romantic era.

Wolfgang Amadé Mozart (1756–1791)

Milanese Quartets, K. 157

Franz Schubert (1797–1828)

Rosamunde Quartet – 2nd Movement, D 804
An die Musik (arranged for string quartet)

Wolfgang Amadé Mozart

Milanese Quartets, K. 160

 

Members of the Residenz-Ensemble Salzburg
String Quartet

Wolfgang Amadé Mozart (1756-1791)

Piano Sonata No. 17 in C major, K. 296
Allegro vivace
Andante sostenuto
Rondo. Allegro

Piano Sonata No. 11 in A major, K. 331
Andante grazioso
Minuet
Alla Turca. Allegretto

 

Members of the Residenz-Ensemble Salzburg
Emeline Pierre Larsen, Violin
Ji-Hye Jung, Piano (SAT)
Seon-Eun Kim, Piano (SUN)

Wolfgang Amadé Mozart (1756-1791)

Adagio in B flat major for cello and piano, K. 358
(based on the Sonata for Piano for Four Hands)
Andante
Presto

Sonata in E minor for cello and piano, K. 304
(based on the Violin Sonata)
Allegretto
Tempo di Minuetto

Piano Sonata No. 11 in A major, K. 331
Andante grazioso
Menuetto
Alla Turca. Allegretto

 

Members of the Residenz-Ensemble Salzburg
Matthias Beckmann, Cello
Ji-Hye Jung, Piano

Queer Date with Mozart: Love and Passion

Countertenor & Grand Piano in the Carabinieri Hall

DomQuartier opens its magnificent Baroque doors for a special immersive sound experience: in the splendid Carabinieri Hall of the Residenz, classical music and queerness come together in a unique encounter. Countertenor Bernhard Landauer, accompanied by Ji-Hye Jung on the Bösendorfer concert grand piano, fills the hall with arias and songs brimming with love, passion, and drama. Florian Niederseer guides the audience through the program, reading texts about queer love and offering new perspectives on identity, desire, and visibility.

Presented in connection with Pride Festival Salzburg, the grandeur of the Baroque setting becomes a vibrant space of resonance, embracing the full spectrum of sound and expression. More information here.

Program

Joseph Haydn (1732-1809)
Sympathy, Hob. XXVIa:33

Wolfgang Amadé Mozart (1756-1791)
Piano Sonata in A major, Movement I: Allegro grazioso, K. 331
Aria “Ombra felice! – Io ti lascio, e questo addio“, K. 255
Piano Sonata in A major, Movement II: Menuetto, K. 331

Wolfram Wagner (b. 1962)
Excerpt from „Lieder für unbegleitete Singstimme nach Texten von Mascha Kaléko“

Wolfgang Amadé Mozart (1756-1791)
Piano Sonata in A major, Movement III: Alla Turca, Allegretto, K. 331

Performers

Bernhard Landauer – Countertenor
Ji-Hye Jung – Piano
Florian Niederseer – Presenter

 

Subject to change without notice.


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